Music reviews, ratings, news and more. –Eric Torres, Pusha-T’s long-awaited third solo album also happens to be the most accomplished release of Kanye West’s high-concept 2018 albums series produced in Jackson Hole, Wyoming. Rap dominated the charts, and young guns like Troye Sivan, Billie Eilish, and Normani didn’t cross the “household name” threshold; many of the heavyweights, the Katys and Rihannas and Biebers, didn’t do much. If Sweetener was not quite enough to lift all of pop in 2018, it was—for those of us who seek our own salvation within the genre—a much-needed sugar rush. The tastemaking site compiles its annual collection of bests, prefaced with this rather orotund description: “More than ever, music felt like a playing field where new, exciting artists were sharing the discussion with the veterans, if not taking it over outright. Your California Privacy Rights. Parquet Courts continue to get straight robbed after putting out their best album yet. 3:22 PREVIEW Peripheral. Everything Indie Music related; from the newest releases and news, to discussion … Her songwriting is also at its most generous, attending to her own insecurities on “Self Interview” and giving a messy group-hug to queerdom on “Crayons.”, But it’s not all wholesome, thank God: There is sex aplenty on Ephorize, and CupcakKe has not receded from her role as a character annihilator. She makes Afrofuturism resound right here, in the present moment. [1 –Philip Sherburne, Listen: Adrianne Lenker, “What Can You Say”, As two of R&B’s most generous collaborators, Ty Dolla $ign and Jeremih are so consistently the best part of any song they’re featured on that a shared project from the two was bound to be an exercise in decadence. Lul G, Yhung T.O., DaBoii, and Slimmy B make ruffian rap that bruises and bounces in equal measure; their record is a marvel of perpetual motion and brotherhood. It was first based in suburban Minneapolis, then Chicago, later moved to Greenpoint, is currently in One World Trade Center, and is owned by Condé Nast.. On the razor-sharp songs that make up her Australian trio’s second record—a mix of folk-rock intimacy, punk incision, and loud emo catharsis—she shares her path forward. The full complexity of her Cardi-ness is on display here. But the duo’s forward-looking producers ensure this isn’t just an exercise in nostalgia. All rights reserved. Irisiri. I only have three of those: Kamasi Washington, Jon Hopkins, and A.A.L (Against All Logic). Pitchfork é um website estadunidense que publica críticas, comentários e notícias sobre música e entrevistas a músicos.Foca-se na música independente, sobretudo música electrónica, pop, hip hop, indie rock, metal, r&b, folk, jazz, e música experimental, mas também cobre diversos outros gêneros e sub-gêneros musicais. Here are the best albums of the year. The heavy-hitters of pop and hip-hop returned, but many disappointed; in fact, sometimes, they were just confounding (cough Kanye cough). –Noah Yoo. Room 25 is the soundtrack to Fatimah Warner coming into her own—not just as an artist, but as an adult and self-actualized black woman. For years, Georgia Anne Muldrow was underground R&B’s greatest utility player. –Stuart Berman. –Timmhotep Aku, Freedom is the first Amen Dunes album to feature Damon McMahon’s face on the cover, his familiar frizzy curls shorn into a tidy buzz cut. How does a person keep on, knowing that the present path could very well end in ruin? –Alex Frank. View reviews, ratings, news & more regarding your favorite band. 1.4m members in the indieheads community. It’s not so much a question anymore whether you like Cardi or not: it’s which Cardi you like most. Like all great producers, he knows that a song’s impact is only as great as its dynamic arc. 1 Christine and the Queens – Chris. On “Blaxploitation,” she expresses a consciousness of her blackness and its meaning in the world without veering into performative wokeness; her personhood isn’t couched in bravado as much as it is steeped in self-awareness. Between a terrorist bombing and breakups, here is a woman who has had a trying and, at times, terrifying few years; she puts it all in her music. Stacker compiled data on the top 100 albums from 2020, according to Best Ever Albums, which ranks albums according to their appearance and performance on editorial and data-based charts, e.g., Rolling Stone, Pitchfork, Billboard, and so on. “no tears left to cry” is a classic, convincing diva ode to resilience, and a song like “pete davidson” chronicles her personal life so closely, it’s basically a chapter in her memoir. Pitchfork is the most trusted voice in music. The beats are smooth but fleet, complementing and contrasting the group's harried delivery. –Jenn Pelly, As Juuling has taken over high schools around the country, it’s only appropriate that some lifelong stoners in their 40s would come back to remind us that the only acceptable way to inhale vapor is through a bong. If not, go listen to their first two albums now :p Elsewhere, the record renders SOPHIE’s world in bold pops of color and mercurial transitions, from the serrated, post-club squeals of the dom-sub fantasy “Ponyboy” and the beauty complex-defying “Faceshopping” to the stirring, stripped-back atmospherics of “Is It Cold in the Water?” SOPHIE’s willful deconstruction of self and form, tearing away at expectations and norms with cacophony and ambience alike, makes OIL a startling, moving experience. SOB X RBE formed in Vallejo, California, around shared commitments to Call of Duty, basketball, and rap—and on their debut album, Gangin, you can feel both the looseness of those links and their intensity. Pitchfork 50 Best Albums of 2018. I literally recognize just 2 names: Beach House and Arctic Monkeys. See which albums are sitting at the top of this year's charts. The Big Thief frontwoman asks painful questions—“What Can You Say” addresses waning love in the most melancholy terms imaginable—but also reassuring answers like those found in “10 Miles,” a rural picture of domestic contentment as seen from a life’s latter half. is dedicated to documenting independent music as it happens. Turning away from club-ready UK grime and garage sounds, Devotion redirects Tirzah’s grainy vocals and Levi’s destabilizing production into an extraordinary set of pared-down and scuffed-up R&B reflections on adult love. And sure enough, the peanut butter/chocolate pairing of Ty Dolla’s nonchalant croon and Jeremih’s frictionless falsetto is a triumph of creature comforts. The album’s standout, the magnificent “Duck Duck Goose,” is a playground of sloppy, bodily thrills. ... Hi-Res Distinctions Pitchfork: Best New Music - Qobuzissime ... (2018), the iconic compilation album from Gilles Peterson’s Brownswood label which united the big names on the contemporary scene. Abysskiss is a beacon of resilience a playground of sloppy, bodily thrills view reviews,,... Synthesizers and guitars build a wall of sound that ’ s constant fluidity thread starter kitchenmotors Start... On “ Don ’ t Forget About Me, ” CupcakKe starts examining mediocre relationships their. Standout, the borders eroded—and music… is dedicated to documenting independent music as it.. Ensemble cast of players drummer ( and Pike ’ s voice that sounds so a! 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